By Neil Roberts
Compiled and edited by means of Neil Roberts (Professor of English Literature at Sheffield University), A significant other To Twentieth-Century Poetry is a powerful anthology of forty-eight scholarly essays drawn from a large choice of authors and academicians learning the improvement of poetry in twenty English-speaking international locations over the past century. From context of the poets and their paintings; to the repercussions of the post-colonial age; to the expanding voice of girl poets; in addition to an total tendency in the direction of self-consciousness and self-reflection; A spouse To Twentieth-Century Poetry bargains trained and informative insights gleaned from as common and various a bunch of members because the authors of the memorable poems themselves.
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Extra resources for A companion to twentieth-century poetry
Eliot had praised Hulme’s ‘classical, reactionary and revolutionary’ stand against ‘suburban democracy’ in the Criterion in the mid-twenties (Ackroyd, 1984, p. 143) and at such points the reactionary conservative inﬂection given to this modernism is most explicit. It was accompanied, however, by a further, and until recently, less recognized gendered aspect. Though tortuously suppressed in Eliot this was openly displayed in Hulme’s masculinist cult of violence and to different degrees in Hulme’s sometime rivals, Wyndham Lewis – ever the cultural pugilist – and Pound, in his more swaggering and opinionated moods.
The Pound Era. Berkeley: University of California Press. Kenner, Hugh (1988). A Sinking Island: The Modern English Writers. London: Barrie and Jenkins. Lawrence, D. H. (1986). Poems, ed. Keith Sagar. Harmondsworth: Penguin. Longenbach, James (1988). Stone Cottage: Pound, Yeats, and Modernism. New York: Oxford University Press. Mariani, Paul (1981). William Carlos Williams: A New World Naked. New York: McGraw-Hill. Pound, Ezra (1913). ‘The Approach to Paris . . ’ New Age, 13, 551–2, 577–9, 607–9, 631–3, 662–4, 694–6, 726–8.
The Waste Land: A Facsimile and Transcript of the Original Drafts including the Annotations of Ezra Pound, ed. Valerie Eliot. London: Faber and Faber. Eliot, T. S. (1975). ), Selected Prose of T. S. Eliot, pp. 175–8. London: Faber and Faber. Fletcher, John Gould (1937). Life Is My Song: The Autobiography of John Gould Fletcher. New York: Farrar and Rinehart. Gage, John (1983). In the Arresting Eye: The Rhetoric of Imagism. Baton Rouge: Louisiana State University Press. Kenner, Hugh (1971). The Pound Era.
A companion to twentieth-century poetry by Neil Roberts